In Heather Burt's two-act play Olympians a laundromat-café on the outskirts of an Olympic host
city becomes the scene of opportunistic scheming, surreal climate changes, and
tragic loss.
Below you'll find a brief synopsis and an excerpt. If you're interested in reading the full play script or discussing the possibility of workshopping or production, please get in touch using the contact form at the bottom of this page.
SYNOPSIS
The
Olympics are on — both Summer and Winter — and Will Laurence’s laundromat-café,
located far from the hype of the Games, has been booked for an intimate
gathering of Canadian Olympic Team members. Determined to move up in the
business world, Will sees the gathering as an opportunity to
connect with Olympic money. He’s also counting on the help of his customer
April’s well-connected fiancé. April, however, has other things on her mind.
Obsessed with protecting the romance of her wedding and the exclusivity of her
relationship, she devises a plan to keep the visiting best man from invading
her home. But the plan depends on the cooperation of her sister, Maeve, for whom relationships of all kinds have become more
trouble than they’re worth. Committed to no one, Maeve has embarked on the
exhausting project of doing only what she wants — and what she currently wants
is to seduce Will.
Drifting
in and out of the volatile negotiations between these three is Percy, a
stuttering homeless man with a passion for athletics. Percy’s most urgent
concern, now that his downtown shelter has been swept away in the Olympic
clean-up of the city, is finding enough money to buy lunch at the 7-11. The
project to which he devotes himself most zealously, however, is preserving the
memory of Canadian Olympic athlete Percy Williams, a track star who ran for the
pleasure of it and eventually, alone and debilitated, committed suicide.
While
Percy never quite manages to drum up enthusiasm for his hero, or spare change
for his lunch, Will, April, and Maeve briefly organize themselves to accomplish
their goals. But their self-serving gestures of collaboration are doomed.
OLYMPIANS (excerpt)
CAST
OF CHARACTERS
(in
order of appearance)
WILL: owner of the laundromat-café, late 20s
PERCY: a homeless man, mid 40s
APRIL: customer, late 20s
MAEVE: customer, April’s older sister, early 30s
MAN &
WOMAN: customers, police officers, Team Canada reps, reporter
20s
or 30s (played by the same two actors)
The setting is a laundromat-café in an unnamed Canadian city. The laundry
area, stage right, features washers and dryers in the background and, in the
foreground, a long table on which customers do their sorting and folding. To
the far right, either on another table or hanging from the ceiling, is a
television. Throughout the performance the TV is on, playing coverage of the
Winter Olympics. The sound is muted, unless otherwise indicated. Lighting on
the laundry side is bright and white. The laundry area must be entered through
the café. The café, stage left, features a service counter in the background.
There is a glass case with baked goods and other snacks, an espresso machine,
and a cash register. Either to the left or right of the service counter is a
door leading to the customer washroom. In the foreground are three tables, each
with a chair or two, and a magazine rack. To the far left is another
television, playing coverage of the Summer Olympics. The sound is muted, unless
otherwise indicated. The lighting is warmer and dimmer than on the laundry
side. Customers enter the café through an imaginary door in front of the
tables, a little off to the left. A narrow apron in front of the whole
establishment serves as the sidewalk outdoors. A transparent screen, raised for
much of the play, serves as the exterior wall of the establishment. The
laundromat side of the wall has a window, the café side a door. At the base of
the wall is a stoop, on which people sit.
The time is early twenty-first century. Half of the characters dress in
winter attire, the other half in summer attire. The Olympics are on.
ACT
ONE
Scene
1
It is
night. The screen/wall is lowered, but the audience is able to see the actors
on the other side. The chairs in the café are mounted on the tables. WILL is
mopping the floor of the laundry area and watching the television. The volume
is high enough that the audience can hear it. On the table is a small pile of
folded laundry, a box of laundry detergent, and an empty green garbage bag. As
the TV announcer speaks, PERCY emerges from the customer washroom, wearing only
boxer shorts and shoes and carrying an armload of clothes. He has long, matted
hair and a long, greying beard. He shuffles unsteadily to the laundry
area.
TV VOICE 1: . . . where we’re
about to sign off after another day of fierce competition
in these Winter Games. As you can see from the
medal standings, Canada continues to hold its own, with five gold, seven
silver, and four bronze. But it’s not over yet, of course, and we’ll be back
tomorrow with full coverage of the men’s and women’s downhill events, as well
as more figure skating, speed skating and
a special feature on the history of the Olympic flame, which you can now see on
your screen, burning through the night and throughout the entire Games. From
all of us here, a very pleasant evening —
WILL
yawns and mutes the television.
WILL: Did you use the Irish Spring?
PERCY: (looking down)
Yes.
WILL: You tidied up in there? The sink and the floor and
everything?
PERCY: Yes.
WILL sets his mop aside
and shakes open the green garbage bag.
WILL: Okay — throw your stuff in. I’ll do it tomorrow
sometime. It’s gonna be dead
in here. (shivers) I hear there’s
snow in the forecast.
PERCY drops his clothes into the bag. WILL
eyes PERCY’s boxer shorts.
Are
those shorts clean?
PERCY’s
reply reveals that he speaks with a slight French Canadian accent and a
moderate impediment, which slows his speech and causes long pauses as he
attempts to force out words or syllables.
PERCY: You . . . washed them last . . . week.
WILL: (shakes his head)
Take ’em off. There’s another pair in the pile.
PERCY
removes his shorts and drops them in the bag. WILL twists the bag shut and
tosses it under the table. PERCY turns to the pile of clothes on the table and
begins dressing. The clothes he puts on are very shabby, with the exception of
one shirt.
No
one ever came back for that shirt. You may as well take it.
PERCY puts on the shirt,
which is too big for him.
Not
bad. Maybe someone’ll leave you some decent pants one of these days.
PERCY: I got these . . . pants in nineteen seventy . . . six.
WILL: Yeah? They look it.
PERCY: They had Olympics that . . . year. In Montreal.
WILL: Yeah?
PERCY: I wore these . . . pants.
WILL: Where?
PERCY: To the Olym . . . pics.
WILL: You were at
the Olympics?
PERCY: Just track and . . . field. Bruce Jenner won the de . . .
WILL: Decathlon? How’d you get in?
PERCY: . . . cathlon. With a . . . ticket.
WILL frowns, unsure
whether or not to believe this.
WILL: No kidding. So are you from Montreal?
PERCY: Long time . . . ago. My father named me after Per . . . cy
Williams.
WILL: Who’s he?
PERCY: Michael . . . Thériault.
WILL: (baffled) Huh?
Who?
PERCY: My father.
WILL: No, man. I mean who’s Percy Williams?
PERCY: A runner. He got arth . . . ritis and committed sui . . .
cide.
WILL: Never heard of him.
PERCY: Everyone . . . forgot him. He was the fastest man in . . .
the world. In the 1928
Olym . . . pics.
WILL: Wow. Where was he from?
PERCY: Van . . . couver.
WILL: No kidding. (shakes
his head) Never heard of the guy.
PERCY: Everyone . . . forgot him.
WILL: Huh. See, that’s the great thing about technology. It
immortalizes stuff.
Anything big happens in these Games, they’ll
have it all on film. Just hit the rewind and it all comes back to life. (pauses) They’ll have a lot of crap in
there too, but that’s the price you gotta pay for saving the good stuff.
WILL checks his watch and
picks up the mop and the box of laundry detergent.
So,
I gotta close up here. (pauses awkwardly)
You going to that shelter for something
to eat?
They start walking toward
the café.
PERCY: They moved it.
WILL: Where to?
PERCY: They didn’t . . . say.
WILL: Oh. (again pauses
awkwardly) So where do you get dinner?
PERCY: 7-11 . . . sometimes.
WILL: Right. (nodding,
agitated) Well . . . that’s cool. They’ve got a good set-up
there . . . microwave and forks and stuff. I’ve
eaten there . . . y’know, sometimes.
WILL drifts behind the
café counter, where he stashes the laundry soap and mop. PERCY hovers in the
middle of the café.
Okay,
man. I’ll, uh, see you later.
PERCY shuffles toward the door. WILL drums
his fingers on the edge of the counter.
Stop
in for a coffee if, y’know . . . if you feel like it . . . tomorrow. I’ll do your clothes for
you.
PERCY: Thank you.
Just as PERCY steps
outside, WILL snatches a muffin from the display case and bolts for the door.
WILL: Here. (thrusts the
muffin into PERCY’s hands) It’s a bit stale; I can’t sell it.
PERCY
exits left. WILL heaves a sigh and returns to the counter. The lights fade
briefly to black.
Scene
2
It is
the next day. As the lights come back on, WILL takes the chairs down from the
tables in the café. He has changed his clothes. A MAN enters the laundromat
carrying a bag of clothes. He and WILL converse briefly, but the audience hears
only muffled voices. The MAN crosses to the laundry area and dumps his clothes
into one of the washers. WILL goes
behind the service counter, where he flicks on the television and begins
tidying up with a rag. As he cleans, which he does somewhat compulsively
throughout the scene, he watches the Summer Olympic coverage on the television.
The volume is just high enough for the audience to hear it. The MAN crosses
back to the café and orders a coffee to go. He returns to the laundry area and
transfers his clothes to the dryer, then he leaves the establishment and exits
right. APRIL and MAEVE enter right, each carrying a full bag of laundry, and
pause in front of the café, peering through the window. APRIL, in winter
clothing, is rubbing her arms; MAEVE, dressed for summer, is fanning herself.
APRIL: That’s Will. Daniel’s gonna be helping him get his own
restaurant or something.
MAEVE: Are they friends?
APRIL: No. Will just started blabbing about his big plans one
time when Daniel
was here, and Daniel said he knew some people
who could help him get some kinda new business loan. He’s like the SPCA or the
Salvation Army or something. He can’t say no. I mean, it’s one of the reasons
I’m marrying him — his niceness, I mean — but it gets to be a bit much
sometimes.
MAEVE: (studying Will)
He’s good looking. Don’t you think?
APRIL: Who? Will? How would I
know?
MAEVE: Oh, that’s right; I forgot. Other men don’t exist for you
anymore. (pauses) Or does that not
officially happen till after the wedding?
APRIL: Hardy har.
MAEVE: Wow . . . he’s really into that cleaning. Is he gay?
APRIL: Yeah, right. He hit on me last year.
MAEVE: Really? Did you sleep with him?
APRIL: Maeve. All he
did was ask me to a hockey game. (pauses)
And tell me he thought
I was really hot.
MAEVE: So why didn’t you sleep with him?
APRIL: I was with Daniel
last year.
MAEVE: So?
APRIL: (heading for the
café door) You’re sick. (opens the
door) Anyway, what do you care what some guy
looks like?
MAEVE: I’m not blind.
APRIL
enters the café. MAEVE follows, wiping her forehead.
Is this place air-conditioned?
The
screen/wall lifts. WILL mutes the TV and stands up straight, at attention
almost.
APRIL: Hey, Will.
WILL: Good afternoon, ladies.
APRIL: This is my sister. She’s staying with me.
WILL: Pleased
to meet you, April’s sister.
MAEVE: (glances at APRIL then
smiles) You too. I’m Maeve.
WILL: Are
you in town for the Olympics, Maeve?
MAEVE: No
— I’m doing a course. Do people actually come just to see those things?
WILL: The
Olympics? Oh yeah. People go nuts for this stuff.
MAEVE: Wow.
WILL: Yeah, you’re lucky you got a place to stay. I hear it’s
impossible to find a hotel
room these days.
MAEVE: Mmm.
You must be doing good business. (smiles flirtatiously)
WILL: Not really. Too far away from the action I guess.
MAEVE: Too bad. It’s a nice place. (to APRIL) So where’s the machines?
APRIL: Through
there. I’m gonna get a coffee first. It’s freezing.
MAEVE heads for the laundry area. WILL calls
after her.
WILL: Can
I get you something to drink, Maeve? Cappuccino? Americano?
MAEVE: No,
thanks. Maybe later.
WILL: Need any quarters?
MAEVE: I’m fine. Thanks.
As the conversation between WILL and APRIL
carries on, MAEVE dumps her laundry on
the table and begins sorting it. As she sorts, she fans herself.
WILL: Your sister’s nice. Is she married?
APRIL: No. And she’s not into men anymore either.
WILL: Really?
You mean she’s . . .
APRIL: I dunno what she is, but she’s got a girlfriend. They live
together.
WILL: Wow. Too bad.
APRIL scowls.
Oh
. . . I don’t mean . . . I just mean she’s really . . .
APRIL: Never mind. Let’s talk about something else. I’ve had
enough of my sister this
week to last the rest of the year.
WILL: (shrugs) Sure.
So . . . what can I get you?
APRIL: Uh
. . . decaf cappuccino?
WILL: Decaf cappuccino.
APRIL: Have you got 1% milk?
WILL: Ran
out. Sorry. I could mix the 2% and the skim.
APRIL: No
. . . make it skim. Why’s it so cold in here?
WILL: You
serious? It’s, like, forty degrees today. You must be coming down with something.
APRIL: I better not. I so don’t have time.
APRIL rests her laundry bag on the floor and
turns to watch the television. WILL begins
preparing the coffee.
WILL: So how’s Daniel? He hasn’t been in for a while.
APRIL: He’s good. We’re both insanely busy . . . getting ready
and everything.
WILL: Did he, uh, happen to talk to those people he knows yet
. . . the ones from that
agency?
APRIL: What’s that? Oh, yeah . . . I’m not sure. (distractedly) Don’t worry though. He’ll do it. He’s Mr.
Commitment.
WILL: Oh yeah, for sure. I don’t wanna pressure the guy.
There’s no big rush or
anything . . . Well, y’know, I’d like to get
going on this as soon as I can . . . but whenever Daniel gets the chance,
that’d be great. (pauses, apparently
focused on the coffee-making) So, what kind of course is your sister in
town for?
APRIL: Some political science thing. Or sociology. I’m not sure.
It’s all professors
and grad students, but they weren’t smart
enough to figure out that having their shindig overlap with the Olympics was a
really bad idea.
WILL: No kidding. So, you been watching the Games?
APRIL: I
wish. (turning back to WILL) Do you
have any idea how much stuff needs to
get done for a wedding?
WILL: Oh yeah, that’s right. The big day’s coming up. Is it
this weekend or something?
APRIL: Yeah,
right. I’d be a complete basket case. There’s three months to go and I’ve got,
like, a thousand things to do every week. (Pauses,
examining her fingernails)
We hired a planner, though. It’s like having a personal trainer or something;
I talk to her practically every day. But she’s really keeping us on track. You gotta
stay organized, or the whole thing just gets completely
insane. Know what I mean?
WILL: Oh yeah. For sure. I got suckered into planning my
parents’ 25th
anniversary party. That was insane. Never again. (looking
past APRIL at the TV) Hey, April, check out this race. It’s the men’s 400m
final. I saw it live this morning.
WILL hands APRIL her coffee. APRIL gives him a five-dollar bill; he gives
her some change. APRIL
turns lazily back to the television.
These guys are incredible. I mean, you look at
their eyes when they’re in the starting block — like now; look at that! — and
it’s like they’ve focused their entire life into this one moment. Seriously —
their whole life is condensed into
this thing that’ll be over in forty-five seconds. (shaking his head) Can you imagine?
APRIL: (shrugging) Seems
kind of a waste.
WILL
frowns and turns up the volume. They watch the race, WILL more intently than
APRIL.
TV VOICE 2: (breathlessly enthusiastic) . . . has
already made up the stagger! An
explosive start from Washington, and now he’s
pulling ahead, with Dominic Charles and Stéphane Lambert close behind.
Washington’s lead is looking strong, but will he be able to maintain it? Hard
to say in these conditions, with — Oh . . . and . . . look at this! It’s . . .
Ibrahim Opara, closing in. Where did he come from?! Ibrahim Opara, of Nigeria,
is coming on very strong. Washington’s losing ground now. There seems to be . .
. yes, there’s something definitely wrong with the American runner, and it’s
Opara and Dominic Charles of Jamaica . . . Yes, Opara and Charles . . . and it
seems to be all over for Washington. Opara and Charles are battling for the
gold, with Stéphane Lambert holding on in third . . . Opara and Charles . . .
Opara really pouring it on . . . and it’s Ibrahim Opara, in a spectacular and
surprising finish!
TV VOICE 1: And indeed, as we
mentioned earlier, it was heat exhaustion that put
Julius Washington out of the picture in that
400m final. Not surprising, when you consider that temperatures —
WILL mutes the television.
WILL: I
don’t think it’s a waste.
APRIL: What
about all those guys who just lost? What’s in it for them?
WILL: It’s
the intensity of the experience. Think of it as a Zen sort of thing. You ever done meditation?
APRIL: Nope.
WILL: It’s great. You should try it sometime. Anyway, these
runners . . . they’re
completely focused . . . on themselves. It
makes them more alive. Y’know? If I
were one of those guys, I wouldn’t really care if I won or not. I mean, a medal
would be amazing, but seriously, I’d be competing against all the other
junk in my life. Seeing if I can pare it all down to the essentials and
find out what I can really do. It’d just be about me. Know what I mean?
APRIL: So
. . . ? What? Do none of these guys have families? What about their
girlfriends? Are you saying their wives and
girlfriends are part of that other junk?
If Daniel decided to devote his whole life to some forty-second race, we’d be
getting a divorce pretty quick.
WILL: (smiling)
You’re not even married yet.
APRIL: You
know what I mean.
WILL: Hey,
don’t get me wrong. No offence to your boyfriend’s athletic abilities,
but I don’t
think you got anything to worry about. I’m sure all he's thinking
about is you.